| Featured projects | Duration |
|---|---|
| BORDERS | 2023 |
Publications
Book
Kanai, Mieko, Aoyama, Tomoko (Trans) and Hartley, Barbara (Trans) (2012). Indian summer. Ithaca, NY, United States: Cornell University.
Book Chapters
Hartley, Barbara and Uchiyama, Akiko (2023). Introduction. Border-crossing Japanese literature. (pp. 1-22) edited by Akiko Uchiyama and Barbara Hartley. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781003143178-1
Hartley, Barbara (2023). The gaze of the girl displaced across borders. Border-crossing Japanese literature. (pp. 192-211) edited by Akiko Uchiyama and Barbara Hartley. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781003143178-14
Suganuma, Katsuhiko, Otomo, Rio and Hartley, Barbara (2018). Unsettling nostalgia through irony: cinematic war memory and gender. Civil society and postwar pacific basin reconciliation: wounds, scars, and healing. (pp. 183-197) edited by Yasuko Claremont. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315166261-13
Hartley, Barbara (2015). A genealogy of boys love: The gaze of the girl and the Bishōnen body in the prewar images of Takabatake Kashō. Boys Love Manga and Beyond: History, Culture, and Community in Japan. (pp. 21-41) University Press of Mississippi.
Aoyama, Tomoko and Hartley, Barbara (2010). Introduction. Girl Reading Girl in Japan. (pp. 1-14) edited by Aoyama, Tomoko and Hartley, Barbara. Abingdon, Oxon., U.K. ; New York, U.S.A.: Routledge.
Hartley, B. T. (2006). "Confessions of a women's literature convert" by Akiyama Shun. Translated by Barbara Hartley. Woman Critiqued: Translated essays on Japanese women's writing. (pp. 72-75) edited by R. L. Copeland. Honolulu: University of Hawai'i Press.
Aoyama, T. and Hartley, B. T. (2006). "The consciousness of the girl: freedom and arrogance" by Takahara Eiri. Translated by Tomoko Aoyama and Barbara Hartley. Woman Critiqued: Translated essays on Japanese women's writing. (pp. 185-193) edited by R. L. Copeland. Honolulu: University of Hawai'i Press.
Hartley, B. T. (2006). "Is fiction inherently the realm of women?" by Okuno Takeo. Translated by Barbara Hartley. Woman Critiqued: Translated essays on Japanese women's writing. (pp. 66-72) edited by R. L. Copeland. Honolulu: University of Hawai'i Press.
Hartley, Barbara (2003). Just Return for Dedicated Investment: Internationalisation, Japanese Language Teacher Education, and Student Expectations. Australian perspectives on internationalising education. (pp. 53-64) edited by Anthony J. Liddicoat, Susana Eisenchlas and Susan Trevaskus. Melbourne: Language Australia.
Journal Articles
Kume, Yoriko and Hartley (Translator), Barbara (2022). Countdown to the Demise of Novels for Girls. Proceedings of the Association for Japanese Literary Studies, 21. doi: 10.26812/pajls.v21i.1666
Aoyama, Tomoko and Hartley, Barbara (2022). Introduction to special issue on youth and democracy in post-war Japanese culture. Japanese Studies, 42 (3), 219-226. doi: 10.1080/10371397.2022.2138299
Hartley, Barbara (2021). Intertextuality, sex and the hollow life in Kore’eda Hirokazu’s Air Doll. Australasian Journal of Popular Culture, 10 (1-2), 39-50. doi: 10.1386/ajpc_00037_1
Hartley, Barbara (2020). Sakai Magara: activist girl of early twentieth century Japan. Girlhood Studies, 13 (2), 103-118. doi: 10.3167/ghs.2020.130209
Hartley, Barbara (2015). Under surveillance: the blighted body of the aging woman. Proceedings of the Association for Japanese Literary Studies, 13. doi: 10.26812/pajls.v13i.1484
Hartley, Barbara (2013). The space of childhood memories: Hasegawa Shigure and Old Nihonbashi. Japan Forum, 25 (3), 314-330. doi: 10.1080/09555803.2013.804109
Hartley, Barbara (2008). The subversive girl and national discourse in pre-war Japan: Takeda Taijun's Kizoku no kaidan. Asian Studies Review, 32 (3), 361-374. doi: 10.1080/10357820802294198
Hartley, Barbara (2006). The ambivalent object of desire: Contesting gender hegemonies in Kawabata Yasunari's Shnen. Asian Studies Review, 30 (2), 123-140. doi: 10.1080/10357820600714223
Hartley, Barbara (2006). The Violated Body as Landscape: Rupture and Mutilation in the Narratives of Kim Sa-ryang and Yi Yang-ji. Proceedings of the Association for Japanese Literary Studies, 6. doi: 10.26812/pajls.v6i.1245
Hartley, B. T. (2004). Multilingualism and local-global identities: Japanese language education in rural Australia. Education in Rural Queensland, 14 (2), 27-38.
Hartley, Barbara (2003). Writing the body of the mother: Narrative moments in Tsushima Yuko, Ariyoshi Sawako and Enchi Fumiko. Japanese Studies, 23 (3), 293-305. doi: 10.1080/1037139032000156360
Chapman, David and Hartley, Barbara (2000). Close encounters of the unhomely kind: negotiating identity and Japan literacy. Japanese Studies, 20 (3), 269-279. doi: 10.1080/713683788
Hartley, B (1999). Treacherous women of imperial Japan: Patriarchal fictions, patricidal fantasies. Pacific Affairs, 72 (3), 442-443. doi: 10.2307/2672252
Chapman, David and Hartley, Barbara (1999). Authentic voices: insights into a Japanese education practicum. Japanese-Language Education around the Globe, 9, 45-62.
Hartley, B (1998). A woman's weapon: Spirit possession in the Tale of Genji. Pacific Affairs, 71 (2), 263-265. doi: 10.2307/2761000
Conference Papers
Hartley, Barbara (2005). The Violated Body as Landscape: Rupture and Mutilation in the Narratives of Kim Sa-Ryang and Yi Yang-Ji. Lanscapes Imagined and Remembered, Seattle, Washington State, USA, 22-24 October, 2004. West Lafayette, IN: AJLS.
Hartley, Barbara (2004). Contesting the Nation through a Genealogy of Girl Consciousness. 15th Biennial Conference of the Asian Studies Association of Australia, Canberra, Australia, 29 June - 2 July 2004. On-Line:
Hartley, B. T. (2002). Mother body narratives. 14th Biennial Conference of the Asian Studies Association of Australia, Hobart, Australia, 30th June - 3rd July 2002. Hobart, Tas.: Asian Studies Association of Australia.
Newspaper Article
Hartley, Barbara (2021, 08 04). The Hiroshima Panels are a remarkable artistic exploration of trauma The Conversation
Creative Work
Thesis
Hartley, Barbara (2003). The mother as artifice and desire in Enchi Fumiko, Aritoshi Sawako and Tanizaki Juni'ichiro. PhD Thesis, School of Languages and Comparative Cultural Studies, The University of Queensland. doi: 10.14264/uql.2018.540