Dr Penny Bailey
Japanese Major
Teaching Associate
School of Languages and Cultures
+61 7 344 34222
Publications
Book
Tsurumi, Shunsuke (Original author), Aoyama, Tomoko (Translator) and Bailey, Penny (Translator) (2023). The stripper goddess of Japan: the life and afterlives of Ame no Uzume. Tokyo, Japan: Trans Pacific Press.
Book Chapters
Aoyama, Tomoko and Bailey, Penny (2023). Translators' introduction. The stripper goddess of Japan: the life and afterlives of Ame no Uzume. (pp. 1-11) edited by Tomoko Aoyama (Translator) and Penny Bailey (Translator). Tokyo, Japan: Trans Pacific Press.
Bailey, Penny (2020). Forging an Australian artistic modernity: how Japanese woodblock prints informed Margaret Preston’s early paintings and prints. Japan in Australia: culture, context and connections. (pp. 44-62) edited by David Chapman and Carol Hayes. London, United Kingdom: Routledge. doi: 10.4324/9780429196485-4
Bailey, Penny (2013). The underglazed ceramics of the Joseon Dynasty. NMK 2013 Museum Network Fellowship Research Papers. (pp. 119-154) Seoul, Korea: National Museum of Korea.
Bailey, P. M. (2006). Yanagi Sôetsu and Korean material culture: Towards a postcolonialist reading. Rhizomes: Connecting Languages, Cultures and Literatures. (pp. 118-132) edited by Ramière, N. and Varshney, R.. UK: Cambridge Scholars Publishing.
Journal Articles
Bailey, Penny (2020). Korea's Sipjangsaeng Iconography: the quest for longevity and immortality in the visual arts of the Joseon dynasty. The Asia - Pacific Journal: Japan Focus, 18 (8), 5391.
Bailey, Penny (2020). Korea’s sipjangsaeng iconography: the quest for longevity and immortality in the visual arts of the Joseon Dynasty. Asia-Pasific Journal: Japan Focus, 18 (8) 5391, 1-18.
Bailey, Penny (2019). The Centenary of Korea's Sam-il (March First) Independence Movement: Remembering Japanese Art Critic Yanagi Soetsu's Solidarity with Colonized Koreans. Asia-Pacific Journal-Japan Focus, 17 (16) 5301. doi: 10.1017/s155746601901547x
Bailey, Penny (2018). Translation of Imai, Yūko. Tōgei no Japonisumu o kankō shite (On the Publication of Tōgei no Japonisumu). Studies in Japonisme, 38, 52-59.
Bailey, Penny (2018). Introduction. New Voices in Japanese Studies, 10, 5-7. doi: 10.21159/nvjs.10
Sōetsu, Yanagi and Bailey, Penny (2018). Korean Art. Monumenta Nipponica, 73 (1), 63-85. doi: 10.1353/mni.2018.0023
Bailey, Penny (2018). The aestheticization of Korean suffering in the colonial period: a translation of Yanagi Sōetsu's Chōsen no Bijutsu. Monumenta Nipponica, 73 (1), 27-85. doi: 10.1353/mni.2018.0001
Bailey, Penny (2017). Color in ancient and medieval East Asia by Mary M. Dusenbury. Asian Studies Review, 41 (1), 159-160. doi: 10.1080/10357823.2016.1202176
Bailey, Penny (2016). "Good Design" and "Good Quality" for the Consumer (1965) by Toyoguchi Katsuhei. Review of Japanese Culture and Society, 28, 144-151. doi: 10.1353/roj.2016.0030
Bailey, Penny (2016). Translation of Industrial Arts and the Development of Japan's Industry (1932) by Kunii Kitaro. Review of Japanese Culture and Society, 28, 55-61. doi: 10.1353/roj.2016.0023
Bailey, Penny (2016). Translation of Japan's Industrial Arts: Present and Future (1917) by Yasuda Rokuzo. Review of Japanese Culture and Society, 28, 51-54. doi: 10.1353/roj.2016.0022
Bailey, Penny (2016). Simplicity and beauty: the influence of Korean aesthetics on Japan's folk craft movement. TAASA Review, 25 (3), 4-6.
Bailey, Penny (2015). Underglazed Joseon porcelains: the cultivation of a Korean Neo-Confucian aesthetic. TAASA Review, 24 (3), 9-11.
Bailey, Penny (2015). Yanagi Soetsu's conceptualisation of Korean beauty in the colonial era. International Review of Korean Studies, 12 (1), 75-126.
Bailey, Penny (2013). J. Thomas Rimer (Ed) Since Meiji: Perspectives on the Japanese Visual Arts, 1868 - 200. Japanese Studies, 33 (2), 215-216. doi: 10.1080/10371397.2013.817040
Bailey, Penny (2012). In Pursuit of Composite Beauty: Yanagi Soetsu, His Aesthetics and Aspiration for Peace by Mari Nakami. Japanese Studies, 32 (1), 135-137. doi: 10.1080/10371397.2012.670095
Bailey, Penny (2010). Kingdom of beauty: Mingei and the politics of folk art in Imperial Japan. Asian Studies Review, 34 (3), 381-382.
Bailey, Penny (2010). Review of Kim Brandt. Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan . Durham: Duke University Press, 2007. Asian Studies Review, 34 (3), 381-382. doi: 10.1080/10357823.2010.507458
Bailey, Penny (2008). Peter Held. Between Clouds of Memory: Akio Takamori, A Mid-Career Survey. Asian Studies Review, 32 (2), 269-269. doi: 10.1080/10357820802064823
Bailey, Penny (2008). The life of Isamu Noguchi: journey without borders by Masayo Duus. Japanese Studies, 28 (1), 118-119. doi: 10.1080/10371390801939138
Bailey, Penny (2008). Review of LORNA PRICE (ed).Yakimono: 4000 Years of Japanese Ceramics. Honolulu: Honolulu Academy of Art, 2005. Asian Studies Review, 32 (1), 132-132. doi: 10.1080/10357820701871989
Bailey, Penny (2006). Review of Isamu Noguchi and modern Japanese ceramics: a close embrace of the earth by Allison Cort and Bert Winther-Tamaki. Japanese Studies, 26 (3), 365-366. doi: 10.1080/10371390600986728
Bailey, Penny (2006). Review of Yuko Kikuchi, Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism, London: Routledge Curzon, 2004. Japanese Studies, 26 (2), 240-242. doi: 10.1080/10371390600883727
Bailey, Penny (2005). (Book review) Lacquerware in Asia, Today and Yesterday. Asian Studies Review, 29 (4), 441-441. doi: 10.1080/10357820500398358
Conference Paper
Bailey, Penny (2015). Beyond a discourse of sorrowful beauty: appropriation, adaptation and innovation in Choson Dynasty ceramics. Korean Studies Association of Australasia Biennial Conference, Adelaide, SA, Australia, 25 - 27 November 2015. Adelaide, SA, Australia: 9th Biennial KSAA Conference Organising Committee.
Generic Document
Bailey, Penny (2016). The formation and dissemination of Korea's Shipjansaeng (Ten longevity symbols) iconography. National Museum of Korea.
Thesis
Bailey, Penny (2013). Korea’s Choson Dynasty Ceramics: Beyond Yanagi Soetsu’s ‘Beauty of Sorrow’ Discourse. PhD Thesis, School of Languages and Comparative Cultural Studies, The University of Queensland.