Dr Lara Vanderstaay
Chinese Discipline
Casual Academic
School of Languages and Cultures
Book Chapters
Vanderstaay, Lara (2019). Families, Intellectuals, and Enemies in the “Red Classic” Remake New Tunnel Warfare. The Making and Remaking of China’s “Red Classics". (pp. 177-188) Hong Kong, China: Hong Kong University Press. doi: 10.2307/j.ctt1w1vmq9.15
Vanderstaay, Lara (2019). Subverting the ‘good wife and wise mother’: the roles and public persona of Xu Jinglei. Female celebrities in contemporary Chinese society. (pp. 63-82) edited by Shenshen Cai. Singapore: Palgrave Macmillan. doi: 10.1007/978-981-13-5980-4_4
Vanderstaay, Lara (2018). Families, intellectuals, and enemies in the "Red Classic" remake New Tunnel Warfare. The making and remaking of China's "Red Classics": politics, aesthetics, and mass culture. (pp. 177-187) edited by Rosemary Roberts and Li Li. Hong Kong, Hong Kong: Hong Kong University Press. doi: 10.5790/hongkong/9789888390892.003.0010
Vanderstaay, L. (2006). They're not hidden dragons: Women in the Chinese film industry, 1925-1978. Rhizomes: Connecting Languages, Cultures and Literatures. (pp. 52-64) edited by N. Ramière and R. Varshney. Newcastle, U.K.: Cambridge Scholars Publishing.
Journal Articles
Vanderstaay, Lara (2022). Remaking Red Classics in Post-Mao China: TV Drama as Popular Media. Global Media and China, 7 (3), 205943642210984-379. doi: 10.1177/20594364221098441
Vanderstaay, L. (2008). Female consciousness in contemporary Chinese women directors' films: A case study of Ma Xiaoying's Gone is the One Who Held Me Dearest in the World. Intersections: Gender, History and Culture in Asia and the Pacific, 16, 1-14.
Vanderstaay, Lara (2004). (Book review) The Emerging Lesbian: Female Same-Sex Desire in Modern China. Asian Studies Review, 28 (2), 190-190. doi: 10.1080/1035782042000226710
Conference Papers
Vanderstaay, L. M. (2005). Femininity in pre-1949 women's films and their links with post-1979 women's films. National, Transnational, International: Chinese Cinema and Asn, Beijing, China, 5-10 June 2005. Beijing, China: Department of Arts Studies, Peking University.
Vanderstaay, L. M. (2004). A case study of the influence of directorial gender on the representation of female sexuality in four contemporary Chinese films. Asia Examined, Canberra, 29 June - 2 July 2004. Canberra: ASAA Asian Study Association of Australia.
Thesis
Lara Vanderstaay (2010). A textual analysis of female consciousness in twenty-first Chinese women directors' films. PhD Thesis, School of Languages and Comp Cultural Studies, The University of Queensland.