Dr Beth Kearney
French Discipline
Casual Academic
School of Languages and Cultures
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To view my recent Publication on eSpace, click here.
Book Chapter
Kearney, Beth and Thomas, Bonnie (2024). History or Herstory: Photography in Gisèle Pineau’s Ady, soleil noir (2021). Women’s historical fiction across the globe. edited by Karunika Kardak and Catherine Barbour. London, United Kingdom: Palgrave Macmillan.
Journal Articles
Campbell, Francoise and Kearney, Beth (2024). Introduction: Ambivalence as agency in contemporary francophone narratives of selfhood. Francospheres, 13 (2 (Special issue)), 65-75. doi: 10.3828/franc.2024.6
Kearney, Beth (2024). Lydia Flem. The Literary Encylopedia.
Kearney, Beth (2024). Happening again: why an abortion story matters. Mai.
Kearney, Beth (2024). Review of Andrea Oberhuber. Faire œuvre à deux: Le livre surréaliste au féminin. Montréal, QC: Les Presses de l’Université de Montréal, 2024. L'Esprit Créateur, 64 (3), 113-114. doi: 10.1353/esp.2024.a941901
Kearney, Beth (2024). Francophone and French studies: literature, 2000 to the present day. The Year's Work in Modern Language Studies, 84 (1), 65-92. doi: 10.1163/22224297-08401043
Barnes, Leslie and Kearney, Beth (2024). Portrait of a lost paradise: diasporic delusions in Linda Lê's Héroïnes. L'Esprit Créateur, 63 (4), 112-124. doi: 10.1353/esp.2023.a919693
Kearney, Beth (2023). Rev. of Transnational Perspectives on Artists’ Lives Edited by Marleen Rensen and Christopher Wiley. Auto/Biography Studies, 39 (1), 1-5. doi: 10.1080/08989575.2023.2254156
Kearney, Beth (2023). “L’Histoire se lit dans la rue”: Urban streetscapes as sites of a fragmented identity in Colette Fellous’s Avenue de France. Australian Journal of French Studies, 60 (2), 136-148. doi: 10.3828/ajfs.2023.13
Kearney, Beth and Thomas, Bonnie (2022). Uncovering Adrienne Fidelin: disorderly subjectivity in Gisèle Pineau’s Ady, soleil noir (2021). Francosphères, 11 (2), 227-245. doi: 10.3828/franc.2022.17
Kearney, Beth (2022). Review of Autofiction: a female Francophone aesthetic of exile, by Antonia Wimbush, Liverpool, Liverpool University Press, 2021, 272 pp.. Modern and Contemporary France, 31 (3), 432-433. doi: 10.1080/09639489.2022.2123789
Kearney, Beth Fenn (2021). 'Je suis amoureuse de la forêt, comme du fleuve': partage et merveilleux dans la collaboration photolittéraire de S. Corinna Bille et Suzi Pilet. La Revue internationale de Photolittérature (3).
Kearney, Beth (2018). L'art féministe de Niki de Saint Phalle. Dire, 27 (3), 18-24.
Kearney, Beth (2018). Camille Claudel as modern di Butades. MuseMedusa, 6.
Theses
Kearney, Beth (2024). Unfixing self: twenty-first century women’s phototexts in French. PhD Thesis, School of Languages and Cultures, The University of Queensland. doi: 10.14264/bba0a6a
Kearney, Beth (2020). Figures de femmes chez Valentine Penrose : à la croisée du saphisme littéraire et du roman gothique. M.A. Thesis, Département des littératures de langue française, Université de Montréal.
Newspaper Articles
Kearney, Beth (2024, 09 01). Get specific: facing life in all its gritty detail Australian Book Review
Kearney, Beth (2024, 07 19). Beth Kearney reviews Consent by Vanessa Springora Asymptote
Egan, Frances and Kearney, Beth (2023, 01 11). How autofiction turns the personal into the political The Conversation
Kearney, Beth (2017, 08 12). Fictitious Realities Memo Review
Kearney, Beth (2017, 04 22). Bill Henson Memo Review
Kearney, Beth (2017, 01 28). Ramesh Nithiyendran Memo Review